仙人掌旅館

薙刀社青春日記

西野七瀨,櫻井玲香,松村沙友理,白石麻衣,伊藤萬理華,富田望生,生田繪梨花,松本妃代,岡野真也,江田結香,紀咲凪,北原帆夏,樋口柚子,緒方桃,宮田祐奈,松田佳央理,中田花奈,齊藤優里,中村倫也,森永悠希,角替和枝,江口德子

　　東島旭，15歲，正準備進入二坂高中就讀。中學為止都是美術社的她，決定進入高中之後要參加運動性社團。而在因緣際會之下聽到學姊說的一句：「薙刀是高中社團界的美國夢！即使不擅長運動的人也能因此轟動全國！」讓她深受感動，於是決定加入薙刀社。雖然這讓夢想中的粉紅色青春就此遠去，另一段熱血又歡樂的故事卻又即將開始──！

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

老破車

林祺堂,Kristin Tiara,Richard Low

開著一輛老奔馳，年邁的阿福剛失去妻子，寡言的他就像被困在過去的時光里。他變賣家當，處理摯愛的破車，準備移民加拿大與兒子會合，然而生活卻沒有輕易放過他。和女兒的心結難解，也見證舊友年華逝去、世事無常，突如其來的變故，更一下子打亂了他的計劃，將他推入絕境。與跨性別女性娟妮萍水相逢，或許是生命贈與的最后契機，他在路上還有什么未盡的習題？

評估

伊麗莎白·奧爾森,艾麗西亞·維坎德,希米什·帕特爾,因迪拉·瓦瑪,夏洛特·里奇,利亞·哈維,安娜亞·托雷,尼古拉斯·平諾克,明妮·德里弗,蘇哈亞·巴里·艾爾·索菲·德·迭戈,安吉琳·帕德隆·菲利波娃,賽伊達·富恩特斯,阿利亞·施瓦納尼,本尼·奧·阿瑟,蒂亞戈·布拉加·德·奧利維拉,伊利亞索·保爾德,蒂比,庫珀,馬來亞·斯特恩·武田

　　遭受氣候變化破壞的后末世，社會的方方面面都受到嚴格控制。一對夫婦想要生孩子，一名女性評估員前來對他們進行為期7天的審查，確定是否合格，此事卻演變成一場噩夢。

散彈露露

杰夫·丹尼爾斯,梅蘭尼·格里菲斯,雷·利奧塔,George 'Red' Schwartz,萊布·蘭斯基,崔西·沃特

　　杰夫·丹尼爾斯在片中飾演個性保守的雅痞行政人員，偶然到餐廳吃午飯，碰到狂野女郎梅拉尼·格里菲思。她把他帶到汽車旅館展開激情游戲，令他大感意外。然而接下來的一段放蕩不羈的刺激遭遇，更是令他驚喜交集，整個改變了他的人生。

詩人2025

烏貝馬爾·里奧斯,蕾韋卡·安德拉德,吉列爾莫·卡多納,阿利森·科雷亞,翁貝托·雷斯特雷波,瑪格麗塔·索托

中年詩人奧斯卡·雷斯特雷波沉迷于詩歌，卻始終未獲認可。他孤僻而失落，活成了“被遺忘的詩人”典型。一次偶然的邂逅，他結識了出身貧寒的少女尤拉迪，并試圖引導她走上創作之路。隨著兩人關系的深入，奧斯卡將她帶入詩人世界，卻也讓她面臨理想與現實的沖突。

我是你的人

瑪倫·艾格特,丹·史蒂文斯,桑德拉·惠勒,亨麗埃特·李赫特-羅赫,漢斯·魯,尤爾根·塔拉施,Monika Oschek,Annika Meier,沃爾夫岡·許布施,Helena Hentschel,Falilou Seck

　　科學家阿爾瑪在柏林著名的佩加蒙博物館工作。為了獲得研究經費，她同意參加一個不同尋常的實驗。在三周的時間里，她要和一個人形機器人湯姆生活在一起，這個人工智能被設計成她理想的生活伴侶。機器以英俊的人形設計，是為她的快樂而造的。接下來是一個悲劇故事，探討了愛、渴望和人類的概念。導演瑪麗亞·施拉德曾獲得銀熊演員獎，同時也是一位出色的電影導演，她改編了Emma Braslavsky的故事，并為其注入了電影的暗示力量。她展現了對表演化學反應的深刻理解，她恰到好處地挑選并指導了一對主角，他們是有趣而不自然的、失敗的一對。但是，還有什么比研究分析和感覺之間的顫動更有成效的呢？畢竟，詩歌也能用到左腦邏輯。