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神勇雙妹嘜
鄭裕玲,張曼玉,陳百祥,林俊賢,韓義生,曹查理,魯芬,王晶,陳輝虹,潘震偉,王天林羅賓漢之死
休·杰克曼,朱迪·科默,比爾·斯卡斯加德,諾亞·尤佩,穆雷·巴特利特,菲絲·德拉尼,阿爾菲·勞利斯,以利亞·昂格瓦里,Fintan Shevlin,塔比莎·史密斯,博·湯普森,Asher De Silva風中的洛朗
巴蒂斯特·佩魯薩,碧翠斯·黛爾,托馬斯·達洛茲,莫妮克·克雷斯潘,雷蒙·巴爾諾,蘇贊妮·德芭奎,賈尼斯·布茲亞尼,呂西爾·巴萊佐,貝努瓦·格拉爾東,馬克西姆·馬尼昂,布魯諾·萊德,喬納森·默爾,帕梅拉·勒莫尼耶·埃利亞斯,維吉妮·阿爾諾,蕾拉·埃利亞斯,朱迪思·弗拉吉,伊拉·韋爾比茨卡亞,弗朗索瓦·奎克雷,約瑟芬·穆爾拉克,路易絲·皮特爾少女命案疑云
克勞迪奧·卡西內利,梅爾·費勒,莉阿·唐塞懷中祈禱
拉文尼婭·威爾森,于爾根·福格爾,茱莉安·柯勒去他的愛:再次中招
Dorian Bindels,約蘭特·卡鮑烏,Maurits Delchot,Bettina Holwerda,Défano Holwijn,Edwin Jonker,維多利亞·科布林科,Anouk Maas,波·梅爾滕,Kraantje Pappie,Nienke Plas,Thomas van Grinsven,Victoria Vermeer,Rutger Vink,蓋扎·威茲,Juvat Westendorp同類推薦
雙山阻擊戰
洪衛,劉冠霖,葛佳佳,郭廣平,周惠林回望歷史所帶來的震撼,它讓我們牢記:中華兒女只要萬眾一心,就能抵御一切來犯之敵,就能實現屹立于世界民族之林的中國夢。
毒癮危害
索茜·貝肯,史蒂文·奧格,亞歷克斯·羅伊,戴夫·戴維斯,凱文·塞茲摩爾外媒報道,知名女演員【索茜·貝肯 】將主演由導演【艾迪·門索爾】執導的恐怖片《毒癮危害》 劇情簡介:在大型制藥公司的影響下,一名年輕人試圖打破阿巴拉契亞小鎮的毒癮循環,面臨著艱難的人生選擇和悲劇。
怪奇收割:超自然謀殺
Peter Zizzo,Terri Apple,Andy Lauer2010年7月,圣貝納迪諾縣當局遇到了一起極為離奇的案件。警方在接到一位朋友的報警后趕到受害者家中,發現的謀殺案令人震驚。現場帶有儀式性的痕跡,其中一名探員很快認出了天花板上用受害者血液畫的符號,這個符號與1995年他們曾追捕的一名連環殺手有關,而該殺手似乎在消失了15年后再次出現。
怪物驚魂
碧帕莎·芭素,Imran Abbas,Bikramjeet Singh,Deepraj Rana,Mukul Dev某年圣誕節期間,位于一個僻靜舒適角落的格蘭達爾森林旅館正式開業。美麗的女店主阿哈娜(碧帕莎·芭素 Bipasha Basu 飾)為了這一天可謂煞費苦心,她以一己之力安排旅館內的一切事務,與此同時第一批客人也接二連三入住。雖然狀況不斷,不過旅館的開業儀式總算順利進行了下來,而且她還因誤會結識了擁有迷人氣質的客人庫納爾·阿南德(Imran Abbas 飾)。然而在前一晚,給旅店送貨的司機遭到不明生物的襲擊,死狀可怖。次日,一對新婚燕爾的夫妻也在叢林中遇襲?! 】植赖乃劳鰵夥昭杆俾?,阿哈娜好不容易建立起來的夢想旅館,面臨怪物的無情毀滅……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.