布蘭琪

★ 0.1 播放：27萬 更新：2026-04-23

13世紀的法國某城堡，男爵擁有一個美麗的妻子名叫布蘭琪。她的美貌遭致了上至國王、下到平民百姓的覬覦。當一個年輕英俊的騎士作為客人留在這里已經逾期的時候，那么，也就是布蘭琪注定要發生一些事情的開始。波蘭;最臭名昭著 rdquo;情色大導瓦萊利安 middot;博羅夫奇克十日談風味作品，一段多角關系不倫之戀，中世紀的禁錮與唯美  根據波蘭著名詩人劇作家斯沃瓦茨基的史詩劇《馬澤帕》改編，每一幀畫面都充滿了中世紀油畫感，為了使這種畫面更加的逼真用光方面相當的苛刻細致。導演固執的選用自己的妻子作為女主角。 　　

在線播放

劇情簡介

13世紀的法國某城堡，男爵擁有一個美麗的妻子名叫布蘭琪。她的美貌遭致了上至國王、下到平民百姓的覬覦。當一個年輕英俊的騎士作為客人留在這里已經逾期的時候，那么，也就是布蘭琪注定要發生一些事情的開始。波蘭;最臭名昭著 rdquo;情色大導瓦萊利安 middot;博羅夫奇克十日談風味作品，一段多角關系不倫之戀，中世紀的禁錮與唯美  根據波蘭著名詩人劇作家斯沃瓦茨基的史詩劇《馬澤帕》改編，每一幀畫面都充滿了中世紀油畫感，為了使這種畫面更加的逼真用光方面相當的苛刻細致。導演固執的選用自己的妻子作為女主角。 　　

導演精選

無約而至

影片通過追逐與命案，講述了一段真實感人的愛情故事。核心不是命案，不是拐賣兒童案，是溫暖與希望。無論生活有多悲催，只要相信愛擁有愛，就會無所畏懼，充滿希望。善惡對錯不應是非黑即白，人就如同兩棲動物，始終游離在善惡之間的一念之差，貴在如何選擇。

弗蘭茨

　　阿格涅絲卡·霍蘭憑借這部迄今為止最具野心的作品達成了導演生涯的巔峰，她呈現了一部關于20世紀捷克標志性作家弗朗茨·卡夫卡的傳記片。影片以萬花筒般的拼貼手法構建而成，追隨卡夫卡留下的足跡——從19世紀的布拉格出發，直至他在維也納辭世，時間跨度涵蓋第一次世界大戰及之后。《弗朗茨》一片將為觀眾提供一個獨特的視角，一窺這位文學巨匠背后的人生軌跡。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster