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忍者刺客49
小杉健,三浦誠(chéng)己,菜葉菜地縛
拉菲·斯波,詹·穆瑞,大衛(wèi)·莫瑞瑟用武之地
肖央,齊溪,任達(dá)華,鄭愷,潘斌龍,法提,奧黛麗·歐塔維阿諾北部叢林
尼克·斯塔爾,奧利維亞·王爾德,達(dá)什·米霍克綠液驚魂
喬·基瑞,連姆·尼森,喬治娜·坎貝爾,索茜·貝肯,瓦妮莎·雷德格雷夫,萊絲利·曼維爾,亞倫·赫弗南,埃洛拉·托爾基亞,羅伯·柯林斯,賈斯汀·塞林格,加文·斯波克斯,安德魯·布魯克,達(dá)雷爾·席爾瓦,露伊薩·里希特,納赫爾·策蓋,丹尼爾·里格比,克萊爾·霍爾曼,瓦倫蒂娜·波普科娃,納納·詹姆斯我們的天空,我們的河
Mahmoud Abu Abbas,Myriam Abbas,達(dá)麗娜·阿爾·喬迪,Sami Al-Ali,Labwa Arab,Basim Hajar,Amed Hashimi,Muslem Hassoun,扎伊納布·約達(dá),Ali Kareem,Zaydun Khalaf,Kholod Mohamad,Suzan Muneam,Siham Mustafa,Badia Obaid,Kamaran Raoof,Karam Thamir同類(lèi)推薦
富二代
Sergey Abroskin,米洛斯·比柯維奇,亞歷山德拉·伯蒂奇,瑪麗亞·米羅諾娃,Aleksandr Oblasov,伊萬(wàn)·阿赫洛貝斯金,亞歷山大·斯莫勒克格里戈(米洛斯·比柯維奇 Milos Bikovic 飾)是銜著金湯匙出生的千金大少爺,從小就過(guò)著嬌生慣養(yǎng)、養(yǎng)尊處優(yōu)的日子,在蜜糖罐里泡大的格里戈自然培養(yǎng)出了蠻橫嬌縱不學(xué)無(wú)術(shù)的擺爛個(gè)性,并且因?yàn)樗臋M行霸道,惹出了種種的麻煩要他老爸給他擦屁股。終于,在又一次闖禍之后,格里戈的老爸忍無(wú)可忍,他決定好好的教育一下自己的兒子?! 「窭锔甑睦习趾退暮糜选晃痪癫W(xué)家一起盤(pán)下了一座廢棄多年的村莊,將它重新修整成為了19世紀(jì)的模樣,之后,兩人策劃了一場(chǎng)車(chē)禍,當(dāng)格里戈從昏迷中醒來(lái)后,震驚的發(fā)現(xiàn)自己“穿越”回了19世紀(jì),成為了當(dāng)時(shí)的一位有錢(qián)人家的奴隸。
驚天魔盜團(tuán)3
杰西·艾森伯格,伍迪·哈里森,戴夫·弗蘭科,艾拉·菲舍爾,賈斯蒂斯·史密斯,多米尼克·塞薩,阿麗亞娜·格林布拉特,裴淳華,摩根·弗里曼,馬克·魯法洛,丹尼爾·雷德克里夫,尼克·威特曼因神秘塔羅牌的指引,那群用魔術(shù)“替天行盜”的騎士們殺回來(lái)了!“初代四騎士”與三位新生代魔術(shù)師攜手,目標(biāo)直指一位鉆石大亨——其家族憑借龐大資本與隱秘勢(shì)力,構(gòu)建了全球性犯罪網(wǎng)絡(luò),也為騎士團(tuán)布下層層陷阱!面對(duì)史上最難的“盜竊任務(wù)”,騎士們?cè)佻F(xiàn)奇跡,上演橫跨全球的魔術(shù)大秀,與“血色鉆石家族”展開(kāi)騙中騙、局中局、計(jì)中計(jì)的巔峰博弈……
陰山禁地
戴向宇,杜奕衡,朱凌霧,張舜迦,李偉龍,于寶坤,安巴,李易衡影片講述了上世紀(jì)80年代發(fā)丘傳人賈凡(戴向宇 飾)利用祖?zhèn)髅匦g(shù)智斗摸金校尉吳老大(杜奕衡 飾)守護(hù)發(fā)丘老祖之墓的熱血故事,表現(xiàn)了邪不壓正的主題思想。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
星河戰(zhàn)隊(duì)
卡斯帕·范·迪恩,迪娜·邁耶,丹妮絲·理查茲,杰克·布塞,尼爾·帕特里克·哈里斯,克蘭西·布朗,塞斯·吉列姆,帕特里克·茂頓,邁克爾·艾恩塞德,露·麥克拉納罕,馬紹爾·貝爾,埃里克·布魯斯科特爾,馬特·萊文,布蕾克·林斯利,安東尼·瑞維瓦,布蘭達(dá)·斯特朗,迪恩·諾里斯,克里斯托弗·柯里,萊諾爾·卡斯多夫,羅伯特·斯莫特,斯蒂芬·福特,羅伯特·大衛(wèi)·豪爾,艾米·斯馬特,蒂莫西·奧門(mén)德森,代爾·戴高中生瑞科(卡斯帕?凡?迪恩 Casper Van Dien 飾)畢業(yè)后,在女友卡門(mén)(丹妮絲?理查茲 Denise Richards 飾)的鼓動(dòng)下,違背了父親的意志,加入了機(jī)械化步兵學(xué)院,卡門(mén)亦加入了海軍學(xué)院。 在他們參加訓(xùn)練不久后,地球遭到了來(lái)自外星球的昆蟲(chóng)襲擊。瑞科的親人均慘遭殺害,卡門(mén)將拍攝到的影像傳送給了瑞科。悲憤交加的瑞科率領(lǐng)部下投入到了對(duì)抗外星昆蟲(chóng)的戰(zhàn)斗中?! ∪欢?,軍隊(duì)低估了這些昆蟲(chóng)的實(shí)力。在一次遭遇戰(zhàn)中,10萬(wàn)軍隊(duì)?wèi)K遭殺戮,只剩瑞科、卡門(mén)等幾人僥幸逃生。瑞科親眼目睹了恐怖的殺戮場(chǎng)面,意外獲知了這些昆蟲(chóng)變得如此聰明、強(qiáng)大的秘密。瑞科意識(shí)到必須制造更先進(jìn)的武器才能對(duì)付這些昆蟲(chóng),人類(lèi)的反擊開(kāi)始了!