蛇妖顯靈
群山擁抱之處,靈氣浩然,蛇王苦苦修行以期成形,同類蛇妖陰氣凝重,蛇王修行讓村民供奉村女,采補(bǔ)陰陽,以壯法力。金老板五世奇人之身,凝聚無限純陽之氣,蛇妖紛紛化身成美人爭相吸取金老板之陽剛之氣。蛇妖一眾破壞安事,村民恭請(qǐng)白龍王出山對(duì)付蛇王,鏟除妖孽。蛇王為對(duì)抗白龍王、古師傳等人之法力,明知故犯以己之肉身與女交歡以增法力,犯下天條,蛇王為保性命躲入蛇洞前后天論壇避過白龍王等人之收服。蛇王在蛇洞修煉,得知金老板開設(shè)之酒家傷其族類無數(shù),設(shè)置蛇宴營生獲利甚豐。蛇王借助村女珊瑚之肉身,欲向村民勸誡勿濫殺蛇類,此事為金老板等人獲悉,又再相邀白龍王出山,經(jīng)歷修行之蛇王與白龍王展開一場惡斗。
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蠅變深淵
徐冬冬,婁淇,張德暉,季葉翠羅薩里奧
大衛(wèi)·達(dá)斯馬齊連,何塞·祖尼加,艾米莉亞·福徹,保羅·本-維克托,埃默羅德·圖比亞,尼克·巴拉德,戴安娜·萊茵,Indhira Serrano,盧納·巴克斯特,Guillermo García,康斯坦薩·古鐵雷斯,加瑪爾·迪拉德,Isabella Hoyos,Daniel Abubakar Asema,Juan Camilo Salgado,Don Gellver,Deicy Campos中國橋
馬躍河流如血
泰雅·迪格斯,約翰·庫薩克,喬治·洛佩茲,盧克·海姆斯沃斯,Gianni Capaldi,布萊恩娜·伊維根,RJ·米特,Steven Berrebi,賈克琳·弗萊明,陶竤,伊薇特·帕里什成人生活技能
朱迪·惠特克,愛德華·霍格,愛麗絲·洛維,布雷特·戈?duì)柎奶?Rachael Deering,洛琳·艾什本,伊蓮恩·戴維斯隱藏殺手
凱爾·麥克拉克倫,邁克爾·諾里同類推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
春閨風(fēng)月
艾琳·鄧恩,加里·格蘭特,拉爾夫·貝拉米,亞歷山大·達(dá)西,塞茜爾·坎寧安,莫莉·拉蒙特,喬伊斯·康普頓,羅伯特·沃里克,瑪麗·福布斯,Esther Dale,Robert Allen故事發(fā)生在車水馬龍的大都市紐約,杰瑞(加里·格蘭特 Cary Grant 飾)和露西(艾琳·鄧恩 Irene Dunne 飾)是一對(duì)感情十分要好的夫妻,兩人時(shí)常結(jié)伴出入上流人士所舉辦的高端晚宴之中,生活極盡奢華,但隨著時(shí)間的推移,這表面幸福的婚姻生活終究還是出現(xiàn)了裂痕,杰瑞和露西決定離婚。在兩人分開之后,杰瑞邂逅了富有而又美麗的遺孀芭芭拉(莫莉·拉蒙特 Molly Lamont 飾),露西則傍上了石油大亨丹尼爾(拉爾夫·貝拉米 Ralph Bellamy 飾),可尋找到了各自幸福的兩人卻并不能相安無事,正相反,他們開始想方設(shè)法的破壞和阻撓對(duì)方的情感關(guān)系,就此引出了一系列荒誕可笑的意外。
NO.1
崔宇植,張慧珍,孔升延講述了每次吃媽媽做的家常飯時(shí)都能看到倒計(jì)時(shí)數(shù)字的河玟的故事。
芝加哥大火記
泰隆·鮑華,艾麗絲·費(fèi)伊,唐·阿米契,艾麗絲·布雷迪影片主線講述了19世紀(jì)一戶普通家庭來到芝加哥并奮斗的故事,影片后半一頭母牛碰倒了提燈點(diǎn)燃了大火,展現(xiàn)了驚人的火災(zāi)場景。
米納里
史蒂文·元,韓藝璃,達(dá)里爾·考克斯,威爾·帕頓,尹汝貞,蒂娜·帕克,斯科特·黑茲,艾倫·S·金,Laurie Cummings,埃里克·斯達(dá)克,Esther Moon,Ben Hall,Noel Cho,Chloe Lee,James Carroll,Jacob M Wade,Jenny Phagan故事發(fā)生在20世紀(jì)80年代的美國,美籍韓裔男子雅各布(史蒂文·元 Steven Yeun 飾)帶著妻子莫妮卡(韓藝璃 飾)和兩個(gè)孩子大衛(wèi)(Alan S. Kim 飾)、安妮(Noel Cho 飾)一起從熟悉的西海岸搬到了偏僻而又陌生的阿肯色州。雖然對(duì)于丈夫的這一決定,莫妮卡的心中十分的反對(duì),但她拗不過雅各布的堅(jiān)決和頑固,只得被迫夫唱婦隨。蠻荒之地的生活既不舒適也不有趣,在最初的新鮮感過去之后,大衛(wèi)和安妮很快就開始懷念起過去的生活了。之后,孩子們的外婆也來到了他們的身邊,給這個(gè)家庭帶來了一絲熱鬧的氣息。雅各布沒有發(fā)現(xiàn)的是,當(dāng)他將越來越多的時(shí)間和精力投入到開發(fā)農(nóng)場這件事情上時(shí),他和妻子之間的距離就越來越遠(yuǎn)。