安靜的圖書館里回蕩著呻吟聲

★ 1.3 播放：86萬 更新：2026-07-13
主演： 前田豐吾/

結婚三年的妻子在一家出版社忙著工作，卻懷孕了，于是她退休了，開始去圖書館。我碰巧遇到了一位小說家。他對昔日在出版社認識的一個女人產生了好感，一次小恩小惠的誤會，再加上他是一個執著于一件事的性格，漸漸地愛上了她，無法割舍。

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劇情簡介

結婚三年的妻子在一家出版社忙著工作，卻懷孕了，于是她退休了，開始去圖書館。我碰巧遇到了一位小說家。他對昔日在出版社認識的一個女人產生了好感，一次小恩小惠的誤會，再加上他是一個執著于一件事的性格，漸漸地愛上了她，無法割舍。

導演精選

摘蘋果的時候

　　十多年前，朝鮮人民的偉大領袖金日成冒雨視察北青以后，立即召開北青擴大會議，親自制定了全國山區變成豐碩果園的宏偉方案。以貞玉為代表的石花農場的年輕姑娘們，遵照金日成同志的指示，敢于革命，勇于實踐，克服保守自滿和落后意識，經反復實踐，試制成功蘋果醬，取得了思想與生產雙豐收。

碟中諜8：最終清算

　　超級人工智能“智體”即將引爆全球核彈危機，把世界推向毀滅邊緣。而伊森·亨特（湯姆·克魯斯 飾）和他的IMF小隊在上次行動中遭遇重創，團隊瀕臨分崩離析。雖然伊森已獲得關閉“智體”的鑰匙，但要徹底消滅“智體”，完成這一拯救全人類的終極任務，仍需要IMF小隊齊心協力突破重重困難。他們不僅要面對全知全能又無影無形的“智體”與其手下蓋布瑞爾（埃塞·莫拉雷斯 飾）的百般阻攔，還要解決來自過去的種種恩怨。每個抉擇都關乎信念與命運，等待伊森和IMF小隊的，究竟是怎樣的結局？

嗨，媽媽！

　　In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment