即刻觀影
劇情賞析
編輯推薦
功夫機(jī)器俠之南拳
陳虎,王智《功夫機(jī)器俠》將中國(guó)功夫和科幻機(jī)械完美結(jié)合，加上好萊塢最強(qiáng)動(dòng)作團(tuán)隊(duì)的打造，王智將大展身手，與好萊塢動(dòng)作演員陳虎同框pk實(shí)力對(duì)撞。
至尊無(wú)賴(lài)
鄭中基,林子聰,傅穎,吳佩慈,楊?lèi)?ài)瑾孫子兵（鄭中基 飾）綽號(hào)發(fā)仔缺乏人生目標(biāo)，他只能充當(dāng)黑幫小混混里的一個(gè)小嘍啰，與好友朱朋（林子聰 飾）終日無(wú)所事事。這天女警莊情（傅穎 飾）、阿莎（楊?lèi)?ài)謹(jǐn) 飾）和36（官恩娜 飾）找到了發(fā)仔，原來(lái)發(fā)仔的真實(shí)身份是一名臥底警員，發(fā)仔因?yàn)槭浲浟俗约旱恼鎸?shí)身份。發(fā)仔根本不相信莊情的話(huà)，但為了微薄臥底酬勞，發(fā)仔還是答應(yīng)了幫莊情做事。沒(méi)想到發(fā)仔與老大杜奇風(fēng)（鄭中基 飾）一見(jiàn)如故，成為了結(jié)拜兄弟。莊情十分失望，莊情傷心流淚令發(fā)仔十分震撼。在朱朋的鼓勵(lì)下，兩人決定要成為一個(gè)正義的人。 杜讓發(fā)仔保護(hù)自己的老婆淑賢（吳佩慈 飾）發(fā)仔早對(duì)淑賢有傾慕之情，沒(méi)想到淑賢卻要求發(fā)仔帶她遠(yuǎn)走高飛。發(fā)仔面對(duì)淑賢跟莊情，陷入了兩難的狀態(tài)。杜找到了他們棲身的地方，也意外發(fā)現(xiàn)了自己丟失的重要物品，此間也揭發(fā)了一個(gè)重大秘密。
瘋狂這一年
吳耀漢,朱咪咪,陳峰,李欣怡,潘小潘,阿晨,大寶,Cassey,彪民,皓敏,李子昭,馨蕊,葉良財(cái),林靜苗本片講述了離家出走多年返鄉(xiāng)的梁歌，發(fā)現(xiàn)患老年癡呆的父親已不認(rèn)識(shí)他，母親也被父親趕出了家門(mén)，家里還莫名多出一個(gè)企圖欺騙父親錢(qián)財(cái)?shù)呐_子，為了解決家庭危機(jī)，梁歌和鄰居們聯(lián)手上演了一系列瘋狂，幽默的搞笑事件！
偷歡忌日
Winter Bassett,Jordan Laemmlen,Vincent Catalina簡(jiǎn)和伴侶的森林之旅出了岔子，當(dāng)一個(gè)陌生人出現(xiàn)并質(zhì)疑他們關(guān)系的真實(shí)性時(shí)，她開(kāi)始懷疑自己是否真正掌握了現(xiàn)實(shí)的全部真相。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
完美陌生人(法國(guó)版)
本片翻拍自2016年在意大利上映的《完美陌生人》電影，這部電影講述了聚集在鄉(xiāng)間別墅的七個(gè)朋友開(kāi)始玩笑話(huà) - 參與者必須讀出所有來(lái)自他們的信息，并且只能通過(guò)揚(yáng)聲器接聽(tīng)電話(huà)。 他們甚至無(wú)法想象他們對(duì)彼此有什么驚人的啟示。