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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
警長索恩：貪睡鬼
大衛(wèi)·莫瑞瑟,艾丹·吉倫一起連環(huán)兇殺案吸引了警長索恩（大衛(wèi)·莫瑞瑟 David Morrissey 飾）的注意，這位窮兇極惡的兇手手中已經(jīng)有了三條人命，然而，第四名受害者卻僥幸逃過一死。警方和民眾都認為這是兇手的百密一疏造就的結(jié)果。然而，可怕的是，沒過多久，索恩就發(fā)現(xiàn)，犯錯的不是兇手，而恰恰是自己，因為盡管保住了一命，但這位幸存者卻無法提供任何情報。 幾起在同一時間、使用同一手法在兩個不同地點作案的謀殺案讓警長索恩十分警覺，隨著時間的推移，迷霧漸漸撥開，他發(fā)現(xiàn)，自己所要面對的并非僅僅一名嗜血殘暴的殺人魔王，而是兩個在暗地里相互勾結(jié)、相互鼓勵的反社會分子。
幸福之路
張震,陳法拉,魏愷樂,萊斯·納克里,雅南,湯姆·烏卡,楊佩里,王戰(zhàn),李海斌,鄭禮莎,亞歷克斯·維多夫,卡洛斯·羅德里格斯,丹尼爾·阿拉納,薩拉·巴斯金,丹尼·博邦穿梭紐約市送餐的華人外賣仔，因謀生工具電動單車被盜，生活陷入危機。同時，他的妻女在分離五年后，終于來到紐約重聚。一部書寫移民勞工的電影，鏡頭隨著無法停下的外賣單車徘徊飄移，配以幽暗色調(diào)的紐約街頭，仿佛在高度資本發(fā)達的城市中，刻劃出邊陲移工艱苦曲折的生存軌跡。韓裔加拿大導 演于2022年以短片《老樣子》入圍戛納短片競賽，其后將短片延伸成為其首部劇情長片，不變的是對移民群體的關注。
火鳳凰1978
姜大衛(wèi) (David Chiang),上官靈鳳 (Lingfeng Shangguan),岳華 (Hua Yueh)敘述日本人潛伏中國武館，化裝紅衣蒙面人，屢次暗殺立志北伐的愛國志士，后來被揭穿的懸疑武打故事。這片子真可以當成偵破片來看，武館的人一個一個被殺，兇手究竟是誰...
芭比之拇指姑娘
凱瑟琳·巴爾,Natasha Calis,Anna Cummer,Kelly Metzger,凱莉·謝里丹,Tabitha St. Germain,Cathy Weseluck故事發(fā)生在氣候宜人風景秀麗的郁金香花園之中，桑貝琳娜（裘蒂·班森 Jodi Benson 配音）是一位美麗善良的小精靈，和朋友們在一起的她，每一天都過著無憂無慮的自在生活。即將要有新的小精靈誕生了，為此，桑貝琳娜和朋友們滿懷激動的做著迎接新生命的各種準備。可是，就在這個節(jié)骨眼上，郁金香花園卻遭到了挖掘機的大肆破壞，眼看著賴以生存的家園就將被毀于一旦，桑貝琳娜該怎樣應對呢？一次偶然中，桑貝琳娜來到了現(xiàn)代大都市，在那里，她結(jié)識了名叫麥佳娜的人類女孩，隨著時間的推移，兩人漸漸成為了朋友。桑貝琳娜決定依靠自己的力量拯救家園，她的努力能夠獲得回報嗎？
無法磨滅
雷·利奧塔,Linda Fiorentino,彼德·考約特西雅圖發(fā)生一宗商店殺人案，曾被告謀殺親妻的法醫(yī)大衛(wèi)前往勘驗。 無意中卻在兇案現(xiàn)場發(fā)現(xiàn)與妻子遭謀害時的相同線索，于是他決定展開調(diào)查。 然而調(diào)查工作始終毫無展獲，直到他在募款晚會中結(jié)識一位美麗的神經(jīng)學教授瑪莎。 瑪莎正研究某種特殊配方藥劑，可將老鼠的記憶力進行移植。 這使得大衛(wèi)突發(fā)其想，偷走藥劑并將死者的記憶力注入自己體內(nèi)進行人體試驗，好一睹兇案經(jīng)過，找出兇嫌破案。 就在大衛(wèi)一心想幫助警方破案的同時，兇嫌卻在與警方對峙時中槍身亡。 失去唯一線索的大衛(wèi)，只能借用已死兇嫌的記憶找出下一步線索。 原以為到此即將結(jié)束的兇案及往日冤屈，卻在大衛(wèi)親身體驗已死兇嫌的記憶過程中全面翻轉(zhuǎn)。 他發(fā)現(xiàn)了攸關自身的天大謊言…