在線播放
劇情簡介
艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuanA love story adapted from Niall Griffiths acclaimed novel
同類好片
水牛之子
杰瑪·阿特登,肖恩·賓,斯蒂芬·格拉漢姆潛影
袁苑,遲志強,韓月喬,郝一平,滕培修,任頤,李萍,姜一守,朱叮叮,彭銘燕,李小文,朱旭明,劉佳賓,黃玲零食小屋
加布·拉貝爾,David Costabile,米卡·阿卜杜拉怪形
庫爾特·拉塞爾,威爾福德·布利姆雷,TK·卡特,大衛·科列儂,凱斯·大衛,理查德·戴薩特,查爾斯·哈拉漢,Peter Maloney,理查德·馬蘇爾,唐納德·莫法特,喬爾·波利斯,托馬斯沃特斯,諾伯特·魏塞爾,拉瑞·弗蘭科,納特·歐文,阿德里安娜·巴比歐,約翰·卡朋特,杰德鬼嬰廟
Arisara Tongborisuth,Pitchanart Sakakorn,Somchai Khemklad獵殺星期一
勞米·拉佩斯,格倫·克洛斯,威廉·達福,馬爾萬·肯扎里,克里斯蒂安·魯貝克,帕爾·斯維爾·哈根,托米瓦·埃敦,凱西·克萊爾,卡梅倫·杰克,柯爾斯蒂·阿弗頓,維加·霍爾,馬達林·德拉甘,斯蒂格·弗洛德·亨里克森,亞歷山大·阮,拉臘·德坎羅,瑪麗·埃弗雷特,桑地亞哥·卡布瑞拉導演精選
好孩子2025
變裝皇后家好與家人疏離,因媽媽罹患失智癥需貼身照顧,才久違回了家。母親記憶力衰退,不斷提起家好童年軼事,耿耿于懷。有次家好忘記卸妝被母親撞見,為安撫她,只好謊稱自己是母親失散多年的女兒,怎料母親信以為真,令家好展開一段療愈原生家庭創傷之旅。到底家好是否可以月圓?王國燊繼《男兒王》又一變裝皇后力作,聯同新加坡視帝許瑞祺和《花路阿朱媽》洪慧芳,將新加坡變裝皇后Sammi Zhen真實故事搬上大銀幕。
最后的KPI
在一家制度嚴苛的大公司從事人力資源工作的弗倫,日復一日面試新員工,觀察他們的生活軌跡。與此同時,她隱瞞了自己剛懷孕的事實,在是否將孩子帶入這個不確定世界的掙扎中,逐漸面對內心的恐懼與矛盾。
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.