即刻觀影
劇情賞析
編輯推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
界障
艾伯特·伯尼,弗蘭克·莫斯利,考莉·埃爾南德斯康納·馬什與他的狗桑迪過著隱居生活，直到有一天他開始玩一款新的、尖端的電腦游戲——OBEX。當桑迪失蹤后，現實與游戲之間的界限開始模糊，康納不得不踏入OBEX這個奇異的世界，去把她帶回家。
重大發現
尼爾·布林,丹妮爾·安德雷德一位計算機科學家/小說家與他兒時的朋友團聚，并闖入政府數據庫，同時面對他小時候所獲得的神秘行為的可怕后果。
女人
寶拉雅娜·麥金托什,勞倫·阿什利·卡特,肖恩·布里吉格斯,安吉拉·貝蒂斯,卡爾利·貝克,馬西婭·貝內特,喬安娜·哈靈頓,湯米·尼爾森,Shyla Molhusen,Gordon Vincent,Zach Rand,Shelby Mailloux,Tyler Merlini,Jordan Carrasquillo,Jordan Chapalonis影片講述了一個從小被拋棄于森林，依照動物生存模式存活下來的女人。被一個男人擄掠回家并且受盡欺凌。這家人中，男主人極度大男子主義，仇視女人。小兒子因為受父親教導也對女人極不尊敬。懦弱并逆來順受的母親，被父親侮辱而懷孕的大女兒，以及不諳世事的小女兒。故事的最后，大女兒在極度絕望和恐懼的支配下放了野女人，野女人殺了她的父母和弟弟，帶走了她的妹妹。 本片以不太恐怖的氛圍，卻深刻的暗喻了一個至今仍然存在的嚴重的社會現象，男人應該如何看待女人，女人應該如何正確扮演家庭中的角色。
虛擬實驚
杰西卡·德·古維,托馬斯·康奎爾,TJ·鮑爾,利亞姆·格雷厄姆,普麗西拉-安妮·福德,侯宣德,莎羅姆·布龍-富蘭克仁·阿瑪瑞發明了革命性的藥品型軟件，可直接在人類大腦中創造虛擬現實，僅幾秒鐘就能體驗幾小時或幾天的激動人心的冒險。仁要拯救弟弟于記憶迷局，而合作伙伴一心只想賺取利益，但是一切都是記憶連環套……
臨冬
瓊·拉斯皮尤爾an experimental work by the Negu Collective, all of them former students of the ESCAC in Barcelona.