[真人版]巨乳礦山原作#Nulneverland 高瀨莉奈 x Misono 和歌 高瀬りな,美園和花 SOD

8.0 播放:63萬 2026-06-16
主演: 未知/

艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan[真人版]巨乳礦山原作#Nulneverland 高瀨莉奈 x Misono 和歌 高瀬りな,美園和花 SOD

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蘭維爾·辛格,阿克夏耶·坎納,桑杰·達特,阿俊·拉姆鮑,馬達范,莎拉·阿爾瓊,Rakesh Bedi,Danish Pandor,Saumya Tandon,高拉夫·杰拉,Manav Gohil,Naveen Kaushik,阿卡什·庫拉納,K Anshuman Thakur,Vikash Rai

 Hamza Ali Mazari, whose real identity is Jaskirat Singh Rangi, pursues his undercover operation within Pakistan's criminal world while tracking down Majo.

戀研!~我們變成動畫啦!~

戶松遙,名冢佳織,新谷良子,豐崎愛生,井上喜久子,釘宮理惠,丹下櫻

  故事發生在私立貴族學校藤崎女子中學內,在這里就讀的,都是出生名門的千金大小姐。真木夏緒(赤崎千夏 配音)是學生會的會長,在校園里有著極高的人氣和無上的名望,甚至還有著專屬的粉絲團。就是這樣一個完美的女生,某一天,她竟然被個性大大咧咧有如男孩子一般的倉橋莉子(沼倉愛美 配音)撞破了自己發花癡的場面?! ≡瓉?,在學生會的辦公室里,真木夏緒最常做的事并非處理文件,而是不眠不休的研究如何進行戀愛,因為撞破了這一秘密,麗子被迫成為了學生會會長助理,也因此結識了同樣對戀愛十分著迷,但總是因為過于害羞而躲起來的幽靈書記棚橋鈴音(水瀨祈 配音)。

毛骨悚然撞鬼經 2025夏季特別篇

小栗旬,上野樹里,岡田將生,佐藤健,綾瀨遙,石原里美,出口夏希

  放送作品  黃泉の森(2004年)  行きずりの紊亂者(2004年)  右肩の女(2012年)  顔の道」2009年)  怨みの代償(2009年)  S銅山の女(2014年)  或る訳ありの部屋(2025年)

末世家園

泰勒·霍奇林,凱特·波茨沃斯,水野索諾婭,蘭斯·萊迪克,大衛·達斯馬齊連,丹娜·格瑞爾,勞拉·凱洛蒂,蘭斯·E·尼克爾斯,杰夫·蔡斯,布拉德·利蘭,戴夫·戴維斯,大衛·詹森,托馬斯·弗蘭西斯·墨菲,邁克·P·納爾遜,吉姆·格里森,戴恩·羅茲,Jacinte Blankenship,埃迪·馬休斯,Mary Alice Risener,Nina Leon,Dillon Ahlf,阿爾·維森特,Jaren Mitchell,Oscar Gale,Steven Grossman,李·珀金斯,Deven MacNa

  一對夫婦在被暴徒控制的中西部地帶,只有通過與之斗爭才能回家的故事,影片將于6月29日北美上映。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

多浪迪總統

卡洛斯·阿雷塞斯,加維諾·迭戈,費爾南多·艾斯特索

 A satirical comedy that pokes fun at Spanish social and political stereotypes, featuring parodies of real events and special guest appearances from the political sphere.