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大伯：殤胎祭
曾家杰,何家豪,杜海倫,張瑋哲,吳嘉敏,姚勇正在一場涉及靈媒的悲劇儀式十三年后，阿忠回到他的村莊，卻發現一個復仇的鬼魂和致命的詛咒仍然困擾著他的人民。為了拯救他的朋友并揭露真相，他必須直面白色無常本身。
極限啟航
朱麗葉·塞茜爾,Esmeree Sterling,Brennen Amonett繼水星和金星之后，地球也面臨存亡危急之秋，太陽黑洞的擴張持續加大，與曾在戰爭交手的火星人合作，似乎是人類活下去的唯一希望…。
西北前線
肯尼思·莫爾,勞倫·白考爾,赫伯特·羅姆,維爾弗雷德·海德-懷特,I·S·喬哈爾,厄休拉·杰尼斯,Eugene Deckers,伊恩·亨特,杰克·格威利姆,Govind Raja Ross,Basil Hoskins,S.M. Asgaralli,Sam Chowdhary,穆特里·凱爾索爾,萊昂內爾·莫頓,艾倫·卡思伯森,霍華德·馬里昂-克勞福德In British India, a young prince must be taken to safey across rebel-held territory, and an old train is the only way to do it.
殘忍的心
梅羅拉·哈丁,埃迪·杰米森,邦尼·魯特,Alev Aydin,Sean Russel Herman,Dawn Brodey,Marion Kerr,Melanie Starks,Jack Gogreve,Lucie Beeby一個年輕屌絲蓋伊跟一個女人上床，事后才發現這個女人已經結婚了，而且嫁給了臭名昭著的黑老大沃克，蓋伊擔心沃克會在某一時刻發現他的婚外情并殺了他，于是他主動向沃克承認錯誤，并祈求原諒...
墊底聯盟
余玥,季肖冰,盧蒽潔,柏智杰,王櫟鑫,潘時七,方子哥,本杰明電競選手小蒼在一場比賽中經歷了失利后，決定結束職業生涯，轉而從事商業活動。然而，她很快陷入了代言危機。為了解決這個問題，她前往名為“南極鎮”的地方尋找神秘的“迷之肉松餅”的配方。 在“南極鎮”，她偶遇了王澤（王櫟鑫 飾），一個在同一天遭遇失業打擊回到老家的人。王澤為了幫助父親還債，必須組建一支戰隊，在全國比賽中擊敗惡霸趙金發的戰隊。為此，他招募了一些特立獨行的隊友：小鎮富二代金威廉（季肖冰 飾）、護士學院唯一的男生賈壯壯（柏智杰 飾）、叛逆的女青年歐陽楠以及單身母親高雪。這五個人各有不同的背景和經歷，但共同的決心和毅力感動了小蒼。于是，她決定擔任這支“墊底玩家”的教練，指導他們的訓練，希望能夠帶領他們走上逆襲之路，挑戰趙金發的戰隊。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.