即刻觀影
劇情賞析
編輯推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
偽裝大師1：維多女人
陳啟杰,高雨兒,張煒迅,夏星,張惠程,楊靜,閆銳關(guān)鍵一晚終于來臨，黃渤扮演的黃總，邀請收藏愛好者來自己家參觀，藺先生如今也是其中一員，帶著王森來了。藺先生發(fā)現(xiàn)黃渤家里有三幅《維多女人》仿品，都是有一定年頭的值錢貨，但藺先生從特定角度，發(fā)現(xiàn)了其中一幅畫的標記，這是王森之前交他辨別真假的方法，王森也證明的確是真品。藺先生發(fā)現(xiàn)這是真品后非常激動，要趁別人都沒發(fā)現(xiàn)之前買下這幅畫。黃渤看藺先生這么感興趣，開玩笑般開出天價，藺先生立刻答應(yīng)，并且要求當場成交。 成功了！派對上，黃渤把錢撒向空中，大家激動分錢，王森卻不在。 王森突然接到電話，得知夏天竟然被陶碩綁架，陶碩威脅王森交回畫，否則殺了夏天。王森一生中從未如此緊張失措過，他和黃渤立刻回去找藺先生，沒想到藺先生像是變了一個人，精明地可怕，要王森拿出三倍的價買回《維多女人》，黃渤提醒王森夏天還有一個小時就要被殺，王森下定決心，用自己收藏的一屋子藝術(shù)品來換這幅畫。 時間緊迫，王森讓黃渤去家中拿藝術(shù)品，而自己先拿畫去救夏天。王森回到綁架現(xiàn)場卻一無所有，黃渤也聯(lián)系不上了，只有他手上那幅畫，這時他才發(fā)現(xiàn)，手上那幅畫，上面有自己的簽名，這是最初自己偽造的那副假畫。 王森瘋了一般，他回到家，空空蕩蕩，所有值錢的東西都被卷走 ……
大內(nèi)醫(yī)探
張舉舉,趙靜沛,胡藝瀟,吳悅菡一名娘娘腔小太監(jiān)，華麗麗變身男子漢的嬉笑之旅！ 大內(nèi)丹藥總管賈公公的助手、后宮人氣王——太監(jiān)小權(quán)，遇上了心上人，開始研究如何還原男兒之身，重拾男子氣概！不料研究之路布滿荊棘，小權(quán)在研究丹藥的過程中，不小心撞破一場驚天大陰謀！后宮黑幕重重，為了能挽救無辜、和喜歡的人在一起，小權(quán)決定奮起反擊，揭露黑暗！且看太監(jiān)小權(quán)大顯身手，在后宮掀起波瀾！
藍絲絨
伊莎貝拉·羅西里尼,凱爾·麥克拉克丹尼斯·霍珀,勞拉·鄧恩,霍普·蘭格杰弗里（凱爾·麥克拉克倫 Kyle MacLachlan 飾）為了照料父親而回到了久違的家鄉(xiāng)小鎮(zhèn)，哪知道在誤打誤撞之中令一場兇殺案件浮出水面，杰弗里就此結(jié)識了負責調(diào)查此案的警察威廉斯（喬治·迪克森 George Dickerson 飾），以及他的女兒桑迪（勞拉·鄧恩 Laura Dern 飾）。桑迪告訴杰弗里，時間的真相或許和一個名叫多蘿西（伊莎貝拉·羅西里尼 Isabella Rossellini 飾）的歌女有關(guān)。 美麗神秘的多蘿西很快就令杰弗里失去了理智，他偷偷的潛入了多蘿西家中，恰巧發(fā)現(xiàn)了多蘿西正在被一個名為弗蘭克（丹尼斯·霍珀 Dennis Hopper 飾）的黑幫大佬虐待的事實。此時的杰弗里才開始意識到，在自己的視線范圍之外，發(fā)生著很多黑暗而又罪惡的可怕之事。
不信地獄
南相美,柳承龍在首爾求學(xué)的女大學(xué)生康喜真（南相美 飾）每日奔波勞碌，疲憊不堪。這日她接到母親的電話，竟得知妹妹邵真（沈恩京 飾）失蹤，下落不明。她匆匆趕回老家，然而母親執(zhí)迷不悟，以為只靠虔誠的祈禱邵真就能返回家中。面對母親的麻木，喜真只得報警，但警官泰煥（柳承龍 飾）只將其當作一般的離家出走處理。 不久，一個女子在喜真家的窗前吊頸并墜樓而死。泰煥從死者房間找到一封遺書，其中甚至提到邵真的名字。泰煥無法從喜真母親那里得到任何線索，只得從小區(qū)管理員那里探知線索。卻得知邵真竟一曾被鬼附身，整個案件開始朝著詭異的方向發(fā)展……
禪武門
張玲,鄭少秋,田豐,王俠《撣武門》是1983年上映的臺灣電影，由張鵬翼導(dǎo)演。張玲，鄭少秋，王俠等人主演。《撣武門》講述某朝皇帝在正月十五日比武大賽之前， 得知刑部大臣陸人敵欲乘機謀反， 乃飛鷹傳書其派駐在東， 南， 西， 北四郡的諸侯回朝護駕， 然四人均於回朝途中為刺客所暗殺， 南郡主之女孤獨冷雁於其父被刺後始得報， 火速趕回想為父報仇· 一日孤獨冷雁巧遇鬼紅娘， 才知兩人同出一個師門， 尤其孤獨冷雁學(xué)得高深之禪功， 身手快捷， 眼力極強， 卻可惜他·.....