影片推薦
噬童魔
杰西卡·麥麗奧德,Hannah Cheramy,約翰·埃梅特·特雷西,Jana Mitsoula,格內(nèi)維夫·布徹納,Connor Stanhope,喬安娜·紐馬奇,Craig March毛骨悚然撞鬼經(jīng) 2012夏季特別篇
山下智久,岡田將生,香里奈,剛力彩芽,スギちゃん,稻垣吾郎,本田翼,堀內(nèi)敬子,蓮佛美沙子,洼田正孝,橋本真實(shí),菅田將暉,高橋光臣,手塚理美,木南晴夏,池津祥子開(kāi)棺2025
陳可如,光俊牙仙歷險(xiǎn)記
波波·斯圖爾特,杰琳·貝茨,拉金·貝爾黑暗之下
丹尼斯·奎德,托尼·奧勒,艾米·緹加登,斯蒂芬·朗斯福德安娜和世界末日
艾拉·亨特,馬爾科姆·卡明,莎拉·斯維爾,克里斯托弗·萊沃,瑪里·休,本·威金斯,馬克·本頓,保羅·凱耶,肖恩·康納,約翰·溫切斯特,艾拉·賈維斯,杰基·伯德同類精選
南方時(shí)光
陳玄力,吳慷仁,孫淑媚,黃迪揚(yáng),謝以樂(lè),蘇韋華,黃工蕓,朱俐安,鄭有杰謊言與偷竊
艾米麗·拉塔科斯基,西奧·詹姆斯,弗雷德·邁拉麥德,艾邦·摩斯-巴克拉赫,小伊塞亞·維特洛克,伊萬(wàn)·漢德勒,約翰·蓋汀斯離婚怨曲
梅根·古德,科里·哈德里克,約瑟夫·李·安德森,泰勒·波利多雷,Shannon Wallace,理查德·勞森,黛比·摩根,Mark Elliott Brewer,Sarah Girma,Adam Jerome Sperandio,喬·科馬拉,Ursula O. Robinson,Rakeem Laws,Berry Williams Jr.,Jeffrey Creightney,Delandrian Lamar Aikens,Jason McGee,Anthonique Page,Anthony Johns誤色
Matthew Gilliam,Lavinia Postolache,Peter Gantenbein,Tanya Thomas,William Frederick Knight,司馬優(yōu)現(xiàn)鈔風(fēng)暴
格雷厄姆·沃爾夫,蕾切爾·尼爾森,Rachel Aspen葬送
蔻碧·米納菲,尼爾·桑迪蘭茲,凱特·伯頓,皮特·普勞澤克,沃恩·阿姆斯特朗,切爾西·阿爾登,Alaina Pollack,Riley Rose Critchlow,洛拉·凱莉,Mia Ellis影視排行
諾瑪·蕾
莎莉·菲爾德,博·布里奇斯,羅恩·雷布曼,帕特·亨格爾,芭芭拉·巴斯里,蓋爾·斯特里克蘭德,摩根·保羅,羅伯特·布羅伊爾斯,John Calvin,布思·科爾曼,李·德布魯,詹姆斯·路易西,Vernon Weddle,吉爾伯特·格林,鮑勃·米諾故事發(fā)生在一個(gè)南部小鎮(zhèn)的棉織廠,諾瑪(莎莉·菲爾德 Sally Field 飾)和她的家人都在這里工作。這個(gè)工廠的工作環(huán)境異常惡劣,工人們每天都經(jīng)受著資本家的無(wú)情剝削和艱辛勞動(dòng)。面對(duì)這種不公平的待遇,工人們備受壓迫和困擾。為了改變這種狀況,總工會(huì)派來(lái)了一名經(jīng)驗(yàn)豐富的組織者,希望能夠協(xié)助當(dāng)?shù)毓と私M織自己的工會(huì),為工人們爭(zhēng)取更好的待遇和權(quán)益。然而,工人們對(duì)組織者的到來(lái)持有懷疑態(tài)度,他們心存疑慮,擔(dān)心這只是一個(gè)無(wú)望的嘗試。組織者面臨著許多困難和挑戰(zhàn)。工人們對(duì)他進(jìn)行冷嘲熱諷,老板則用各種無(wú)理阻攔來(lái)阻礙工會(huì)的成立??吹竭@一切,諾瑪內(nèi)心充滿了憤慨和不滿。她是一個(gè)有著堅(jiān)強(qiáng)意志的女性,對(duì)不合理的事物總是敢于挑戰(zhàn)。受到組織者的激勵(lì)和影響,諾瑪最終選擇站出來(lái),成為了改變的先鋒。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
暗殺國(guó)度
奧黛莎·楊,阿布拉,蘇琪·沃特豪斯,哈莉·尼夫,科爾曼·多明戈,丹尼·拉米雷斯,喬爾·麥克哈爾,茉德·阿帕圖,科迪·克里斯蒂安,比爾·斯卡斯加德,庫(kù)倫·莫斯,貝拉·索恩,小凱文·哈里森,阿尼卡·諾尼·羅斯,杰夫·波普,諾亞·蓋爾文背景設(shè)定在馬薩諸塞州塞勒姆鎮(zhèn),當(dāng)一個(gè)破壞分子開(kāi)始在網(wǎng)上發(fā)布小鎮(zhèn)里每個(gè)人的私人生活細(xì)節(jié),將小鎮(zhèn)生活攪得天翻地覆后,一個(gè)精通社交媒體的高中學(xué)生和她的朋友們等待著觀察最終結(jié)果。 瀏覽器歷史記錄、私信、非法下載、秘密文本鏈甚至更加糟糕的因素,造成了數(shù)字時(shí)代能夠發(fā)生的最糟糕的情況。
秒速5厘米真人版
松村北斗,高畑充希,森七菜,青木柚,上田悠斗,白山乃愛(ài),木龍麻生,宮崎葵,吉岡秀隆,岡部敬史,中田青渚,田村健太郎,戶塚純貴,蓮見(jiàn)翔,又吉直樹(shù),堀內(nèi)敬子,佐藤緋美,白本彩奈改編自新海誠(chéng)創(chuàng)作的同名動(dòng)畫(huà)電影,講述了一段跨越時(shí)間與距離的青澀愛(ài)情與成長(zhǎng)故事。