在線觀看
劇情提要
艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuanRan – 純情悶々モンブラン
暗夜精選
恐影檔案
Thomas Dekker,Robert Englund,Fiona Dourif青空在上,身在山谷
Michal Zachensky,Eva Mores,Jana Olhová,Adam Suniar,Attila Mokos迷妄國度3
碧帕莎·芭素,埃朗·哈斯米,杰奎琳·費(fèi)南德斯安昂傳奇:最后的氣宗
戴夫·巴蒂斯塔,史蒂文·元,關(guān)繼威,杰西卡·馬滕,塔伊加·維迪提,迪·布萊德利·貝克,杰拉爾丁·維斯瓦納坦,羅曼·薩拉戈薩,芙蕾達(dá)·平托,南允道,佩塔·薩金特,Dionne Quan東北往事·極惡不赦
劉牧,陶慧,王小毅,丁宇佳,魏子千,李飛揚(yáng),梁靖晨 Jingchen Liang,丁海峰,張潮,葛四,吳爾渥馴龍高手:歸家
杰伊·巴魯切爾,Gerard Butler,Craig Ferguson重返寂靜嶺
杰瑞米·艾文,漢娜·艾米莉·安德森,艾維·坦普爾頓,羅伯特·斯特蘭奇,皮爾斯·伊根,尼科拉·亞歷克西斯,伊芙·麥凱林,朱莉婭·佩拉加蒂,埃米莉·卡丁,瑪?shù)倌取だ聿槠?霍華德·薩德勒,馬迪奧·帕斯奎尼,梅麗莎·格雷厄姆,勞拉·杜魯,卡莉亞·杜魯,斯拉維薩·伊萬諾維奇,阿拉娜·瑪麗亞,塔瑪拉·里斯托斯卡,賈斯珀·沙龍,桑迪·E·斯科特同系列推薦
風(fēng)來之所
Slim Baccar,桑杜斯·哈桑,Eya Bellagha,Maya Blouza,穆罕默德·格拉亞,Lassaad Jamoussi,Saoussen Maalej,Lobna Noomene納粹僵尸
Matthew Baunsgard,達(dá)米安·羅扎內(nèi)克,Ellis J. Wells,Richard Kovacs,Zach Devereux棋盤上的向日葵電影版
坂口健太郎,渡邊謙,佐佐木藏之介,土屋太鳳,高杉真宙,音尾琢真,柄本明,渡邊一計(jì),尾上右近,木村多江,小日向文世獵殺星期一
勞米·拉佩斯,格倫·克洛斯,威廉·達(dá)福,馬爾萬·肯扎里,克里斯蒂安·魯貝克,帕爾·斯維爾·哈根,托米瓦·埃敦,凱西·克萊爾,卡梅倫·杰克,柯爾斯蒂·阿弗頓,維加·霍爾,馬達(dá)林·德拉甘,斯蒂格·弗洛德·亨里克森,亞歷山大·阮,拉臘·德坎羅,瑪麗·埃弗雷特,桑地亞哥·卡布瑞拉總統(tǒng)的蛋糕
Banin Ahmad Nayef,Sajad Mohamad Qasem,Waheed Thabet Khreibat,Rahim AlHaj嘔吐戈?duì)?:慢性折磨嘔吐室
幕后花絮
怖谷鳥
17歲的女孩Gretchen(亨特·莎弗 Hunter Schafer 飾)被迫與家人一起搬到一個(gè)度假勝地,而那里并不像看上去的那樣平靜。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster