劇情縱覽
一名就職于美容店的女孩崔夕(岳辛 飾)想要擺脫自己陷入泥潭的生活,可換來(lái)的卻是死亡。愛(ài)慕崔夕的保安梁晨(寧桓宇 飾)無(wú)意中發(fā)現(xiàn)崔夕的死似乎與十年前殺害他好兄弟劉杰(袁川航 飾)后潛逃的兇手有關(guān),隨著梁晨深入地調(diào)查,真相逐漸浮出水面......
一名就職于美容店的女孩崔夕(岳辛 飾)想要擺脫自己陷入泥潭的生活,可換來(lái)的卻是死亡。愛(ài)慕崔夕的保安梁晨(寧桓宇 飾)無(wú)意中發(fā)現(xiàn)崔夕的死似乎與十年前殺害他好兄弟劉杰(袁川航 飾)后潛逃的兇手有關(guān),隨著梁晨深入地調(diào)查,真相逐漸浮出水面......
本片劇情依然圍繞遺體送還公司“天使之心”展開。社長(zhǎng)伊澤那美得知8年前身亡的戀人或許仍在世而心神動(dòng)搖。萬(wàn)圣節(jié)期間,公司成員奔赴世界各地處理送還事務(wù):有人面對(duì)因嬰兒猝死而自責(zé)的母親,有人護(hù)送突然離世的明星回國(guó),也有人送別在旅途中去世的青年。那美在墨西哥執(zhí)行任務(wù)時(shí),一邊處理逝者身后事,一邊被舊日戀情的線索牽動(dòng),在生死與思念交織中重新審視自己的內(nèi)心。
The bizarre and mysterious suicide of the Wendolyn’s patriarch brings the dysfunctional, pharma family back together. While the family members squabble over their dwindling inheritance, an ancient curse preys on their greed and arrogance. The Wendolyn’s made billions on painkillers, but no drug can kill the pain that they’ll soon endure.
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
性格內(nèi)向的律師梅爾·戴爾得知她愛(ài)冒險(xiǎn)的妹妹突然去世后感到悲痛欲絕。但當(dāng)她前往收集姐姐的尸體時(shí),她很快就懷疑有人謀殺。她可能是下一個(gè)。